Yannick Boquin: ballet tips and a dance class philosophy

This article is going to be quite directed towards ballet dancers, so if you have no knowledge of ballet terminology or coordination, this may not be the post for you. But if you do, you’re in the right place! This is a special post, with a personal contribution from master teacher Yannick Boquin – he wrote the following section himself, and it contains some of the most important underpinnings of his teachings. Look at these as the skeleton, muscle, and joints behind the body of his work: teaching ballet technique to the best in the world. (And whether you know ballet or not, don’t miss the great photo of him as a kid near the end!)

Before sharing his written notes, though, I wanted those of you that don’t yet know Yannick to get an idea of the kind of combinations he gives and his teaching style. Below is an example of Yannick’s class (skip to 1:20 to get to the actual class). Think of it as a sampler of the kind of class Yannick gives every day.

Continue reading “Yannick Boquin: ballet tips and a dance class philosophy”

Another perspective on leaving the ballet world: Chloe Shelby

So, I just the left the world of dance. And you’ve heard my story. But there are lots of other stories out there, often untold to the dance world. Or worse, misunderstood. When we are involved in an endeavor that has required such dedication to reach our level, it can be hard to understand why someone would give all that up.

This is Chloe Shelby’s story. She came up through the school of Oregon Ballet Theatre when I was in the company. She was one of the top students in her class, technically skilled, and smart to boot. I remember watching her in class and onstage and thinking “Man, will I ever have that kind of control?”

However, once she joined the professional world, it turned out that Chloe’s talent wasn’t enough to keep her going. This is not to say that she didn’t have the skills! Even with pure talent, the ballet world is tough – and without an inner fire and devotion to the work, it can be incredibly draining. As she explains, the professional dance world was entirely different from the one where she had been formed as a dancer, and her drive to continue hit a dead end.

But her future is no less bright because of it. Leaving the dance world can lead to so many different opportunities, and Chloe was able to find that inner fire elsewhere.

Continue reading “Another perspective on leaving the ballet world: Chloe Shelby”

On dancing and the pursuit of perfection

Not too long ago, a friend aptly noticed that I often refer to our goal as dancers as “reaching as close as we can to perfection.” He wanted me to unpack that statement. What does that even mean? Are we talking about technical attainment? Power or finesse? Maybe something else?

As Steven put it, we’re transitional beings… we’re of this world, and whether we like it or not, perfection is not an option. Such a thing is an illusion.rainbow-background-1149610__180

But having a personal idea of perfection does present a way forward. It is the needle on our compass. What are we reaching for in ballet if not an ideal?

The fact that perfection is unreachable doesn’t mean that our work is meaningless. No, we’ll never reach that pot of gold at the end of the rainbow, but we will see many things on our journey. Continue reading “On dancing and the pursuit of perfection”