This article is going to be quite directed towards ballet dancers, so if you have no knowledge of ballet terminology or coordination, this may not be the post for you. But if you do, you’re in the right place! This is a special post, with a personal contribution from master teacher Yannick Boquin – he wrote the following section himself, and it contains some of the most important underpinnings of his teachings. Look at these as the skeleton, muscle, and joints behind the body of his work: teaching ballet technique to the best in the world. (And whether you know ballet or not, don’t miss the great photo of him as a kid near the end!)
Before sharing his written notes, though, I wanted those of you that don’t yet know Yannick to get an idea of the kind of combinations he gives and his teaching style. Below is an example of Yannick’s class (skip to 1:20 to get to the actual class). Think of it as a sampler of the kind of class Yannick gives every day.