Welcome back, everyone. Here we are with another interview, this time with Cora Bos-Kroese. Cora recently set Jiri Kylian’s Bella Figura on us at Les Ballets de Monte Carlo, and she was a blast to work with. Back in the day she was a fantastic dancer who worked intimately with Jiri Kylian. These days she splits her time between setting his ballets all over the world and running her own dance projects in The Netherlands.
I sat down with her to have a conversation about what she’s learned from working with Kylian (and Forsythe!), advice she has for dancers, and her own personal projects in the dance world. I’ve broken up our conversation into three parts, which will come out when ready. In this first section, we talk about the audition process, and the qualities she looks for when running an audition for a Kylian ballet (hint: it’s not perfect ballet technique).