Hey everybody. I’ve been gone a while. Did you miss me? In deciding how to return to writing for Corporal Culture, it occurred to me that I should be asking you, the readers, what you want out of this site. I’ll include the simple poll below, but any other feedback you might have about the … More Checking in with you
Here you are, in part 2 of our conversation. In the first part, Cora shared what she looks for when running an audition for a Kylian ballet that she’s setting. If you missed part 1, check it out here. In this second section, we talk about her relationship with Jiri Kylian, the way it shaped her knowledge of dance … More Cora Bos-Kroese on the genius of Jiri Kylian – and being a part of his legacy
Welcome back, everyone. Here we are with another interview, this time with Cora Bos-Kroese. Cora recently set Jiri Kylian’s Bella Figura on us at Les Ballets de Monte Carlo, and she was a blast to work with. Back in the day she was a fantastic dancer who worked intimately with Jiri Kylian. These days she splits her time … More Cora Bos-Kroese on the audition process for Kylian ballets and the skills necessary to be seen (and chosen)
How do you inspire a group of dancers to live up to their full potential? One of the most important skills to learn as an artistic director, ballet master, choreographer, or teacher is learning how to speak to and manage the group. All bosses have to do it. Organizing a large group of people can … More Correcting the crowd: how group feedback affects us
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